National Repository of Grey Literature 4 records found  Search took 0.01 seconds. 
Jan Jiří Hering, painter at the beginning of the Counter-Reformation
MATĚJKOVÁ, Lucie
Jan Jiří Hering, painter at the beginning of the Counter-Reformation This diploma thesis deals with Prague based painter Jan Jiří Hering, whose art refers to the first half of the 17th century. The artist's early style is closely associated with the art inspired by the drawings of the Rudolfine Mannerist Era, while the later forms of his paintings show a rather rigid style. It may be presumed that several years spent in Rome during the pontificate of Sixt V. alongside with artistically inspiring atmosphere of Post-Rudolfinian's Prague and consecutive fine art assignments in service of the Catholic Church mainly focused on interior designs, played an important role in developing Hering's artistic expression. As the first Prague painter to begin the Counter-Reformation, Hering dealt with a new kind of fine art assignments in various ways. On the one hand, he used classical patterns to inspire Baroque appearance, dynamism and expression, and on the other hand, he composed pictures of saints according to medieval schemes by combining several scenes into one image space. Given the directly opposed expression of drawing production of the Rudolphine type and the paintings from the period following the Battle of the White Mountain, Hering acts as an artist of two faces. The thesis will attempt to clarify Hering's art and its ties to the first stage of the Counter-Reformation. The research will also focus on the artist's bipolarity in artistic expression with the research for possible parallels and inclusion in the context of Prague's painting scene.
Semiotic analysis of comics in contemporary Czech social magazines in the years 2000-2015
Dorňáková, Anna ; Průchová, Andrea (advisor) ; Šoltys, Otakar (referee)
This thesis deals with comics in the Czech news and cultural magazines after the year 2000. A new generation of comic creators emerged after the year 2000, so called Generation zero. These new creators are different from the older authors - especially from authors of Generation 89 - in many aspects. Using a semiotic analysis this thesis focuses on comics in contemporary periodicals: it attempts to uncover how various comics exist in news magazines (which are intended for a broad scale audience) and to what extent these comics match with the profile of the magazine. Additionally, in order to see a potential difference in results, cultural periodicals were also thoroughly analyzed. Included in the analyzed material are news magazines such as Reflex and Respekt and cultural periodicals like Art+Antiques and A2. In addition, it focuses on theoretical discussions regarding a proper definition of the word comic and on the relationship between linguistic and visual levels of comics because this relationship is essential in this form. Finally, the means of visual language in comics and the history of the Czech comics are discussed in the theoretical section as well.
Visual Language of Comics and GUI Design
Šlaufová, Kateřina ; Brejcha, Jan (advisor) ; Ovesleová, Hana (referee)
The thesis VISUAL LANGUAGE OF COMICS AND GUI DESIGN is based on an assumption that comics and GUI both use similar features and techniques to communicate with readers/users. GUI as an influential cultural interface is based on languages of other media and as it is shown in this thesis, comics is one of its sources. I discussed similar features of both media - GUI and comics - on the level of their characteristics, semantics and on the visual level. On a general level the main features discussed are convergence and hybridity or the requirements for skills of the reader/user. Very similar for comics and GUI are also the limits emerging from the characteristics of the media they are using. The principal part of this thesis searches for common visual features and finds them in simplifications, sequentiality and multilayer framing and also with features like icons or text. The case study focuses on Adobe Photoshop CS5 GUI from the comics point of view proving connections in practice and showing GUI in new a context.

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